11. In
comparing Keita and Sidibe’s
photography to the photographs used in Willis’s book, the photographers during
that time period were very similar. The pattern of using more traditional
poses, such as portrait pose was similarity between Keita and several
photographers such as Eddie Elcha, and James Van Dee Zee. Most of the photos
taken amongst those photographers had very formal backdrops; some almost mimicked
a European feeling. In contrast, Sidibe’s photographs seemed to match up or
were very similar was photographers such as Arthur Bedou, Cornelius Marion
Battey. They seemed to capture moments during that time period. The background
scenery was sometimes informal but still has some elements of posing but still
was not much like Keita’s formal photographs. There was a photograph on pg 50,
where Cornelius Marion Battey took the picture while the group was still moving;
there was no set position or having the person remains still for the shot. It
was photo to capture the time period.
22. For the photographers during this time period, it
was a struggle for all them. The Europeans had made African American
photographs have a very negative reputation and was basically mocking their
culture. That being said, the African American community subtly retaliated. Keita
and Sidibe’s photos as well as the ones presented in Willis’s book such as
James Van Der Zee, and Arthur Bedou, and many other African American
photographers made their photographs important to their culture and community. They
used European elements, and created their own take basically posing in similar
positions, using formal backdrops etc... To prove that their community is just
as equal and similar to everyone else’s community.
33. I feel that the quote on page 38 is basically
describing the difficult struggles that African Americans faced because of the
stereotype the Europeans placed on them. That being said, a way to prove that
are an equal community was the camera. The camera became a central tool for
promoting equal opportunity. It was to prove that their community was just as
equal as everyone else’s community. It gave an insight into lives of the
African American culture and demonstrated they are so much more than the
stereotype associated with them.
44. When browsing through various pictures from the
30’s and 40’s there was a wide variety of photographs that were placed into
specific genres. The two genres that stuck out the most was the Black Victim. In Robert H. McNeill and Charles (Teenie)
Harris’s photos, it reminds of me of the civil rights movement, but it also
currently reminds me of the crimes between cops and African Americans. The
protesting against innocent African American lives. Another genre that I picked
up on was Role Model. The photographs taken my Charles (Teenie) Harris were my
favorite because he took pictures of how African Americans were equal to other
cultures. There were pictures of a Beauty Queen, to an African American
baseball player, even to our sixty-three president John F. Kennedy.
55. The
quote she states is basically saying that pictures are worth a thousand words.
The way the photographer has their sitter’s pose, or is able to capture “moments”
in history, allows for a story to be created, and that the photographer is the
narrator. Pictures allow insight into a brief time in history past or current.
Photographs to be taken especially before the age digital photography, the
moments captured meant something very important and special to the
photographer.
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